For a good few years there's being a severe lack of memorable Gothic Rock/Metal bands in the mould of 90's era Danzig or Type O Negative, so it was a pleasant surprise when i was contacted by Vocalist/Bassist Garth Kidd of the absolutely brilliant Devilsome about reviewing their self titled debut EP, it also came to my attention the band features the legend that is Joe McGuigan of the legendary Gama Bomb who has been a life long friend of Garth, fast forward a period of time and plenty of listen later here are the finer details of what you can come to expect from the band.
Straight away that groovy bass intro and the operatic vocals kick in on Children Of The Night you're instantly drawn into some catchy hooks,lyrically and musicially there's subtle homages to Type O Negative, this was a great choice to open proceedings with this particular track, 7th Seal is a really catchy number with all the nuances for a proper live anthem and a chorus you can sing along to,we're also treated to a tasty lead courtesy of Ex Cradle Of Filth Guitarist Richard Shaw and some absolutely qaulity keyboards from Kevy Canavan, who doesn't like some Sabbath-esque with the ultra Doomy spookiness of Morning Star this one gives you an idea of the power and range of Garth Kidd's Vocals which add a passion and emotion to the track,eventually we're taken into some killer mid paced riffage culminating in some killer lead guitar work which closes out the track, Necromantic Girl is filled with plenty of intermittent lead guitars and plemty of catchy hooks to keep your undivided attention,this is another one with a potential sing-a-long chorus.
Possibly the fastest track on the EP with the Thrashy/Punk influenced escapades of Charge Of The Neiphilim, this has a reall D-Beat Crossover feeling to it ,there's also a subtle hint at The Misfits prevelent within this song, the basslines and leads in this one are absolutely sublime giving another positive element to proceedings, the band treat us to a cool cover version of The Zombies track Time Of The Season there's an element all their own in this which shows a diversity and originality whjich shows the band are willing to attempt something different, the closing track The Witches Of Pendle Hill is the tale about one of the most famous witch trials in England that occured in the 17th Century,these accounts always make for an interesting listen and something that's worth immersing yourself in be it musically or lyrically, yet again the catchy hooks have become seriously addcituve at this point in the EP,,the mid paced tempo creates a somewhat melancholic atmosphere gradually building up to a faster tempo during the pre-chorus and chorus which add a more upbeat tempo to the track, this is a more then fitting way to close out the EP.
For a debut release this is way beyond my expectation and the more i've listened to it the better it's become,one or two listen will not suffice with this, yes there is some riffs and sections of songs throufghput this that you will have heard before but the application from the musicians invloved has achieved what it set out to do and that is create a few interesting and killer tales like any lover of all things horror would like to get through to the masses,this will appeal to fans of luminaries like The Misfits,Black Sabbath,90's Era Danzig,Type O Negative all done with Spooktacular aplomb,there's a dark romanticism prevelent throughout the EP were you get the feeling the monsters get to have their way which is something all genuine horror fans will enjoy,in ending this is one definitely worth a listen.
As promised here's the second and equally deranged half of the split EP Hey Kid,Wanna Buy A Split? from the sublime purveyors of Apocalyptic Industrial Metal Overlords Organ Blender "You Will Surrender To The Blender".
It's being just a little over a year since they released the absolute masterpiece that is Teemu Khan, also the unfortunate circumstance of losing their drummer has more or less put live performances on hold for the forseeable future,fret not we are going to be treated to some deliciously apocalyptic tunes in a few days with some killer new music, opening track Geronimo! has some of that trademark unnervingly dark atmosphere with subtle hints of dark humour running throughout also as can be expected we're treated to some heavy as fuck riffage and deranged vocal delivery, riffs combined with disturbing industrial passages are prevelent throughout Drugz this gives another dimension to proceedings and creates a somewhat hypnotic repitition, this maybe unbeknownst to most but the band are avid fans of Aphex Twin which leads us to the closing track Satellite whic combines techno beats and extremely dark synths and keys.
Although quiet short in length they achieve a really dark atmosphere with pinpoint precision,those familiar with Organ Blender will enjoy these three tracks; Basically this is a continuation of what was offered up on Teemu Khan ,they've more then contributed to this brilliant split and it compliments what Aborted Earth have offered up creating a Union straight from the Apocalyptic Wasteland.
I always like when someone contatcs me to do reviews was absolutely over the moon when Aborted Earth vocalist Jamie asked me would i be interested in doing so for their absolutely devastating new Split EP Hey Kid,Wanna Buy a Split? they're about to release with the equally apocalyptic sounding Organ Blender suffice to say i'll be doing a seperate review for their part of this release.
I've being paying close attention to this band for a few years now and they've evolved their sound by adding extra facets with each release and now on this it seems they have come fulll circle with devastating consequences, straight off we're treated to some relentlessly uncomfortable passages with Conspiracy to Kill the repitition throughout this track really creates a sense of a dark and prevelent impending doom with no means of escape whatsoever, Coolock Bodybagis executed with an extremely visceral vocal delivery combined with relentless pace for the opening 2 minutes of the track at which point they launch into some Sludgy and Apocalyptic sequences similar to early Godflesh,something that should be mentioned this also has some element of social strife,societal problem(referenced in the soing title,if you know you know otherwise i'm not explaining), Closing track Vicious Circle combines every element the band have been adding to their repetoire throughout the years and their arsenal has all the recipes to create an absolutely obliterating apocalyptic soundtrack.
As mentioned earlier the advancemenst this band has made in the last few years is mind blowing,from a straight-up crazy Grindcore band with some tongue in cheek dark humour(it's still there) to adding Industrial Metal elements akin to Godflesh or Scorn which in turn adds a really scarey apocalyptic atmosphere to their sound,with Hey Kid,Wanna Buy A Split long term fans of the band are going to absolutely love what's on offer here.
The brilliant Wexford based Heavy/Thrash Metal Stalwarts 12 Gauge Outrage have been cutting their trade for the best part of a decade with each release they've developed and honed their sound into something with an ode to the old school and something refreshing and modern, this is prevelent and noticable on their absolutely fantstic new EP Siren lets get into the finer details of this brilliant release.
straight away you can hear the absolute razor sharp production,the atmosphere at the start of Control is extremely foreboding and dark the combination of the heavy riffing and twin vocal harmonies add a taut and concise element to the track, To Shreds is straight up 80's Thrash Metal that's an absolute ripping track can picture plenty of moshing and crowd surfing for this in a live enviroment, half way through and we're treated to some 90's Metallica-esque riffing with the brilliant My Ever Sleep the mind paced tempo makes this one a real fist thumper and bonafide headbanger.
The Hanged Man is a real slow burner full of groove,heaviness and riffs for days,at times it sounds like the band have channelled the inner ghost of Dimebag Darrell and combined it with ...And Justice For all era guitar tones and epicness, final track I See The Light is another quality headbanger full of groove laden hooks and stellar vocal arrangements giving the EP a somewhat dramatic and epic ending.
At the end of the day 12 Gauge Outrage display their full arsenal of tricks ,even if you've never heard them before straight away you'll know they've being crafting and honing their sound for many years, on another note this band have the experience and longevity to keep getting better with each release,Siren has everything any true metalhead should enjoy,memorable tracks full of groove heaviness,ripping speed and all the nuances to make a great release and long may it continue.
Let This serve as a bit introduction/recommendation piece and a short analogy from the excellent One Man Deathcore/Brutal Death Metal Project Sickened,unbeknowst to a lot of people within the Irish Scene there's something special about to explode from the county of Wexford with a few artist/bands working dilligently and under the radar included is the aforementioned Sickened who recently released their debut S/T EP.
Although it is noticable that there's a rawness and a lo-fi approach to the production there is a certain charm to it albeit with a lethal dose of Brutality and Heaviness,the Intro is a quick instrumental track designed to create an atmosphere of what's to come, We Are Not The First plenty of crushing grooves with some lo-fi vocals that at times remind me of Viral Load or Putrid Pile, Fucked Up is possibly my favourite track on this release it's filled with crushing and visceral riffage combined with some guest vocals courtesy of Kris of Dead Memories, with better all round production the tecnicality would be alot more noticable on this track.
Infernal Feast continues with some fantastic technical ability,there's also a larger amount of Groove prevelent throughout this one which adds another positive element to the overall product, final track You Got Nothing From It was one of the first tracks to be released by this project and suffice to say is an absolute banger,visceral and crushing riffage combined with the lo-fi vocals give this a brutality and sickness that is so addictive to listen to.
Overall there's plenty of potential on offer with this project,yes the production may not be to everyone's liking but hell the musicianship,technical ability and amount of work put in deserves to be lauded and praised to the hilt, this is a really enjoyable and worthwhile listen and with further releases this project will definitely improve.
Frayed Ends offer an absolutely relentless short sharp shock with their obliterating debut EP Belfast HC, the band combine elements of Crust,D-Beat,NYHC with an unrelenting aggression and punch to the gut,we're treated a fercious 4 tracks in 11 minutes of raw,angry unrelenting fury with a few guest appearance along the way.
As soon as that first notes of Carve Your Name hit you can hear all the nuances of NYHC like Leeway,Sick Of It All,Cro-Mags and even elements of early Biohazard,the dual vocals throughout this track(along with the whole EP) add a really visceral and nasty feeling to proceddings, Came Into This World dissects and obliterates with crushing precision and the urge to make you smash the place up, No Shift In The Paradigm (Ft Brian J Harrington of Congenital Abnormalities,Ex-Jenova Vocalist) on Guest Vox gives an absolutely Obliterating persistence to the track ,that breakdown near the end is nothing short of devastatingly crushing, Worthless (Ft Jude McIlwaine of Acid Age) is an absolutely ripping track ,the trademark wretched screams of McIlwaine give the track something unique and different to what was on the EP already while still maintaining the unrelenting fury.
Overall Belfast HC is an absolutely quality offering from the band especially considering it's a debut,it is obvious that the members have a wealth of prior experience to draw on from the past even so this makes this EP all the more better for it,dare i say it this may well make my short list for EP of the year,yes it is a bold statement to make but it's going to be hard to match the overall ferocity,aggression and rawness on offer here.
Recently i made a post on Facebook about specific types of bands i would've been extremely reluctant to listen to,growing up in an era were Thrash,Death and Black Metal were the undisputed kings for me,for want of a better word and been somewhat of an edgy jerk in my youth with regard to what i listen to(if it ain't fast or brutal enough forget it),ever since i've started doing my weekly segment on Metal Messiah Radio about two years ago i've discovered numerous bands from array of different genres and one in particular has really changed my opinion of some of the modern acts delivering some absolutely quality tunes and that is the ridiculously brilliant Words That Burn,with the release of their third full length album Cut Throat Culture the band have honed and crafted a really spectacular opus.
Straight from the gates the band launch into the absolutely brilliant Den Of Lions like a pheonix rising from the ashes and unleash a barage of emotions combined with metaculously crafted riffs with electro pop sensibility, Sunshine hits with unrelenting aggression,the switching between harsh and clean vocal delivery gives the track an underlying dark atmosphere, possibly my favourtie track on the album is the sublime Play God which hints at the topic of maipulative relationships,the aggression throughout this adds a really emotional element ,there's also a brilliant anthemic feel to the track.
We're treated to the upbeat nuances of the excellent Sirens ,there's a nice rock element to this track,the vocals have a great anthemic feeling to them, this one really grabs your full undivided attention with the groovy hooks and the continous switching between aggressive and anthemic vocals, the anthemic atmosphere continues with the fantastic The Cavalry Ain't Coming the fills in between the chorus are nothing short of relentless combined with those heartfelt emotional vocals, You're On Your Own really pounds home the underlying mental health issues throughout the album and how horrible society can be, the atmosphere gets that little more darker on the hauntingly eerie Fire At Will this is possibly the heaviest track on the album and delivers a combination of absolutely devastating and emotional vocals. Things begin to delve that little bit darker with To Night the feeling of dread is really prevelant which is pushed to the fore with the haunting atmosphere there's also a bit of pop sensibility to add a different feeling to proceedings, Thicker Skin has a really nice keys intro before it launches into killer groove laden hooks,there's almost a ballad type approach to this albeit with brief aggressive vocals, you also get the full repotoire of what the bands vocalist is capable of, closing track Michael delivers some killer riffs combined with a really dark atmosphere created by the keys/electronic elements,once again the vocal delivery is truly breathtaking switching effortlessly between harsh and clean vocals.
Overall Cut Throat Culture shows a band not only progressing from previous releases but showing a confidence and maturity that's going to push them to another level of brilliance,we treated to plenty of memorable anthemic type songs,one of the main elements that won me over with this band is the ease with which they can switch between full on aggression and soaring and passionate vocal delivery, if you're sitting on the fence(like i once was) about this band do yourself a favour and listen to this album,you will find something that you enjoy about.
Great no frills no bullshit Hard Rock bands have been a rare commodity these days be it down to chnages in society,the over abundance of the "quick fix" has become too common place with todays generation were many faucets in todays society being just repitive,bland and mundane, the brilliant Shadows Calling are here to reminds us all what great Rock tunes are all about with their debut EP Spirit Shifter.
Straight from the get go the band launch into the adrenalin fueled nuances of the rip roaring Eraser .there's some great mid tempo riffing combined with the soaring & passionate vocal delivery, Spirit Shifter has a nice constant groove and plenty of killer riffs and once again the vocals are constantly on point and compliment the all arrangements perfectly.
Midnight's Eye unleshes memorable hooks and a mix of smooth groove laden riffs and a varying array of vocal styles,the guitar leads are soaring with an absolutely gorgeous tone, closing track Our Own Escape has something different to offer from the previous tracks in that it goes to an almost ballad like structure,the rocking riffs and soaring passionate vocals are still there added with a somewhat epic structure,this offers the full capability of what the band are looking to capture.
Spirit Shifter is a really solid debut offering from the brilliant Shadows Calling,the musicianship is stellar and full of memorable riffs and hooks,the production is absolutely quality and captures an essence of the band that you won't forget too quickly, would highly advise to keep a close eye on these as i can see room fro improvement and a really bright future.
Once again i've been treated to another quality offering from the fine folk of Melodic Metalcore oufit Koma in the form of their brilliant new single Of Dionysus And The Vine let's get into the finer details this track has to offer.
Just like previous tracks The Betrayed & Dichotomy there's plenty of melodic parts,groove laden hooks and aggression on offer but there is an added dark atmosphere which also has an almost Thrash Metal feeling to it, the lead and backing vocals are pushed to a different level on this without going too far from the dynamics on the previous tracks.the lyrical theme is inspired by the Greek God of wine and revelry Dionysus,it touches on the intoxicating power of the consuming alcohol and is intended to capture the tragedy comedy and festivities when one is partaking in the revelry of drinking.
Everything Koma have done thus far oozes quality,passion and a hunger to deliver songs full of catchy hooks, melody and memorable topics that also fit in with the trials and tribulations life has to offer,even the artwork on each single,done by the extremly talented Adam Brown of Dead Flesh Tattoo tells a story in itself,the production is absolutely sublime thanks to the midas touch of Josh Sid Robinson of JSR Audio,over all Koma have once again delivered the goods and i for one cannot wait til they releases an EP or Full Length Album,they have all the nuances to build something special that has longevity and constantly evolve their sound organically
You spend years listening to a plethora of bands,artists, albums,EP's,single and your opinions of them tend to be very polarizing but once every so often a band/album comes along and resonates with you in a way you thought incomprehensible,that such band(album) is the absolutely god tier self titled debut album from Progressive/Tech Noir Metal Trio The Enigma Division, the band features the sublime talents of Conor McGouran (Ex Xerath),on Guitar/Keyboards,Ronan Burns on Bass/Keyboards and Ben Wanders(Ex Xerath, Shardborne & Slave Zero) Drums & Vocals.
Straight away you get the feeling that you're about to listen to a movie score or soundtrack with the Intro 1977 which builds like some post apocalyptic countdown to an event or a story,it's has the feeling of movies like Terminator or Blade Runner, instantly you're hit with a barage of groove laden riffs,synths combined with soaring and emotional vocals on the sublime The Escapist the lyrics have the feeling that a person/protagonist is lost in some existential crisis and yearns to escape from this waking nightmare while simultaneously also dreaming of creating some type of surreal paradise, possibly my favourite track on this album the absolutely mind blowing Echoes In The Deep starts out with some echoing beacon giving you the feeling that there's a growing fear of been lost within a place devoid of hope ,we're treated to some fantastic keyboards throughout this track by the legendary Derek Sherinian(Ex Dream Theater,Sons Of Apollo & Planet X) at times it sounds like McGouran has channeled the ghost of Eddie Van Halen and took the musicianship to a whole new level,there's also a section were you get to hear the full capabilities of the vocal range of Wanders,hence why this is a truly mind blowing track, let the time machine take us back to some absolutely fantastic homage to 80's synthwave/progressiveness on Afterglow this time we treated to the amazing vocals of Richard Thomson(Ex-Xerath) ,there's a really nice pop sensibility about this song it also feels like you're in some 80's TV Programme or Movie.
Aware that the song may have diffrerent stories and meanings to them if the first part of the album was about been lost in some sort of existential crisis then this part is about becoming aware of things like an understanding of who you are this is pushed to the fore with the excellent The Age Of Discovery there's a noticable change in the atmosphere that has become that bit more darker and the vocals have a little extra aggression in them,there's also a slight element of disdain in the vocals like wanting some more meaningfulness in your life, every element that's already being heard throughout this opus starts to reach it's peak on the sublime Kaleidoscope this gradually builds to a monumental cacophony of emotions combined with razor sharp riffage and epic structures,the synths in the background give off a really dark atmosphere,excuse the pun but it feels like you're travelling through a kaleidoscope of life that's taken you into the unknown, now we taken into a place of tranquility with the beautiful Clarity once again the pop sensibilities are oushed to the fore on this while still maintaining that dark atmosphere,eventually the vocals hit another level near the closing parts of the songs. Closing track 1977- Ad Infinitum takes us back to where it all began and brings us through each story we've just heard and takes us on an epic journey like our life was flashing before our eyes you see all the good times,bad times and everything in between but you're totally unaware that you're only a small part of what has happened or is about to happen in this universe, when it's drawing near the end there's an extremely dystopian narrative where we're told about every faucet of life including political doctrines,economic doctrines,beliefs,despotic rulers etc and that we are but a little dot in the universe and looking desperately for someone or something to saves us from oursleves.
This is such a modern day masterpiece,when you listen to it you will hear elements of music you've heard in the 80's 90's and even 00's but what you've possibly not heard before is the way the music is arranged, the atmosphere the way it feels like a soundtrack to a movie or life,the way it feels like some sort of existential crisis, the musicianship on this is absolutely mind blowing it's not like people didn't know about them been that damn good,what alot of folk weren't aware of and it seems to be the bands secret weapon is the absolutely earth shifting vocal display of Wanders on this opus, i know it's early in the year but i'm of the opinion that this is going to be a legitimate contender for album of the year,for me this is an absolute game changer and if i'm bing honest even after two months since it was released i get extremely emotional when i'm listening to it as i said it's being a really long time since an album had such a profound effect on me on a personal level
For Almost the last three years Symbiotic Tomorrow have being releasing consistently great music but for some reason it's not reaching/resonating with a larger audience,let this serve as a brief introduction(& appreciation) of them,two of Limericks most talented/proficient musicians play a huge part in what the band have to offer, Alan O' Connell writes and produces all the music and Keith McCoy delivers machine-like percussion/drumming ,most of their releases also feature Italian professional session singer Eric Castaglia, The music blends elements of Death Metal,/Thrash Metal and Progressive Metal delivered with razor sharp precision while packing a lethal punch,lets get into the finer details of the new EP All That's Gone.
Staright from the off All That's Gone delivers relentless break neck speeds and technically proficient riffing while the vocal delivery is nothing short of unbridled brutality, the mid tempo passages throughout Blood Of The New World ups the ante with regard to the technicality of proceedings while the vocals maintain that trademark relentlessness, there subtle Melodic Death Metal nuances very prevelent on Burn there's a nice mid tempo groove complemented by the aggressive vocals.
Again On Eyes Of Your God the melodic tendencies are pushed to the fore,the drumming is full of intricate fills and rolls whick keep fluctuating from mid tempo to aggressive brutality, Closing track The Hatred With is a killer mid tempo offering with the technicality pushed even more to the fore,again the vocals are relentlessly aggressive and consistently pack a lethal punch,the drumming is once again delivered with razor sharp precision.
All That's Gone has a somewhat apocalyptic undertone and offers a fantastic array of everything from Death,Thrash & Progressive Metal,brilliantly executed drumming,aggressive gut punching vocals,tachnicality proficient Guitar work including soaring leads full of passion and a subtly uplifing element you wouldn't usually associate with the more extreme side of metal, this is a really solid and competent offering that should attract a larger audience.
Throughout the years of following bands/artists within the Irish Metal scene i've witnessed or encountered some fantastic musicians,one in particular has continously caught my attention with his work in bands such as Nautilus, Dunmharu & his current project Scáth Na Déithe, for me anything Cathal Hughes has been a part of always strikes gold in my opinion,the excellent Virulent Providence is no different, once again as with previous Scáth Na Déithe releases the compostion is bleak and harrowing and gives an account of The Great Hunger of the 1840's being passed down from generation to generation as a stark reminder of the horrors that took place during that period of time.
Three years on from the absolutely fantastic The Dirge Of Endless Mourning we're once again offered more Irish Folklore but this time it's much more bleak,harrowing and tragic and a hell of a lot more epic, a story divided into two tracks spanning 40 minutes,staright from the off Virulent Providence Pt.1 delivers a barage of blisteringly fast riffs combined with an emotion and atmosphere not present on previous offerings, the relentlessness for the opening six minutes is somewhat over bearing(like it should be) when telling a tale so tragic there's a momentary atmospheric section for about two minutes then gradually builds up to an absolutely epic crescendo before going into some dream like sequence where it feels like some long lost memory until it gets resurrected and the tale still remains.
The Beat of a Bodhran is heard rumbling in the background at the beginning of the Virulent Providence Pt.2 adds an extrmely foreboding atmosphere to the story,the dirge-like essence is almost like something not far removed from Funeral Doom,it's crawls and meanders miserably while adding a somewhat hypnotic atmosphere like you're been dragged through some nightmarish scenario that's neverending, the vocal delivery is filthy and nasty while maintaining an abundance of emotions,the time changes throughout flow seamlessly between extreme relentlessness to emotional atmospherics while switching between torturous Black Metal shrieks to visceral Death Growls,when it's drawing near it's end you can hear that Bodhran with an acousitic guitar coming to the fore before going back in a dirge-like seqence to carry this tragic tale onto another generation.
If you're after something bleak,harrowing,full of atmosphere and a tale full of horrific and tragic stories would definitely recommend Virulent Providence, this album is on a whole different level to previous releases and should not be passed up,also this is not any favouritism on my account as i've always being a massive fan of Mr.Hughes work in the past,this release confirms to me that he's like some sort of modern Seanchai(Irish/Gaelic Storyteller/Historian),while still been harrowing and bleak there's also something beautiful about the essences of this release,like memories been brought back to life and shared with those who never knew.
Every so often you're made aware of new bands who like to delve deep into the old school sound from the mid eighties we all know and love,recently thanks to the fine people at Haloran Records for contacting me about doing reviews for bands on the label ,this is when i became aware of Thrash/Death/Black Metal Fiends Death Feast and have had the pleasure of listening to their excellent third full length album Risen From The Tomb let's get into the finer details of this magnificent opus.
The eerie atmosphere of the intro The Initiation sets a tone not far removed from something from a Hammer Horror movie adding a nice homage to Old Horror movies,this is synonymous with what the band are well known for, as soon as you hear the guitars on Crossing The Fire you know you're about to delve into some evil and nasty old school riffage, this is a real headbanger of a tune and along with the intro sets the tone of what's to follow brilliantly, Banish From Monastery is full of riffs for days combined with lo-fi tones reminiscent of Sarcófago, time for some total Metal worship with the brilliant Commandments Of Metal obviously this is about spreading the word of Metal all across the world,we treated to some elements of Speed Metal throughout this track with subtle reminders to the legendary Venom, all the superlatives i've being describing so far get pushed to another level with the rip roaring majesty of Devoted Assassins were the hounds of hell are unleashed with unrelenting fury.
Things get that bit more relentless with the hauntingly disturbing Hell Funeral the atmosphere is extrmely foreboding and does a fantastic job maintaining that unnervingly dark homage to horror while also having a very chaotic element to the overall sound, an abundance of mayhem is another prevelant theme running throughout this releases ,this becomes abundantly clear on The Evil Crown, the mayhem evloves into chaotic territory with the excellent title track Risen From The Tomb the lo-fi Guitar tone harks back to the Obsessed By Cruelty era of Sodom and has some extremely evil undertones, as soon as the bell chimes ring loud on Volcano and the Guitars roll along like a funeral procession you know you're about to get some old school mayhem that delivers with raw,evil and chaotic fury, The Blood Pact(Outro) sounds like some french horror movie and leaves a very disturbing finale to porceedings leaving you wanting even more chaos and mayhem.
Overall Risen From The Tomb is a really enjoyable and worthwhile listen, if you like Hammer Horror, legends of Horror like Cushing,Price,Lee,Ingrid Pitt combined with homages to old school bands like Sodom,Venom,Celtic Frost and Sarcófago this is definitely an album for you,the production while having a very lo-fi approach still has a slight modern fell to it,also the musicianship is second to none,with razor sharp leads,extremely evil sounding vocals and a rawness and primitiveness stepped in the old school traditions of metal.
Let this serve as an introduction/commendation of the very interesting solo project The Bastards Diesel,stepped in the nuances of Experimental Sludge/Noise/Doom with a penchant for creating an audio/visual assualt on the senses with the absolutely fantastic debut release A Liminal Release.
The bass heavy intro on opening track Thoughts Lost In The Ether sets a very bleak and dirge like tone added by the lo-fi miserably scrawled vocals, you can literally feel the nastiness and filthiness with every moving second,the repitive riff running throughout just pounds home the atmosphere, the lo-fi crushing heaviness of That Cold Feeling has subtle hints of Funeral Doom while still maintaining that bleak and nasty atmosphere,there's also the added elements of some fantastic guitar leads permeating in the background and epic drum fills executed with razor sharp precision.
This is a great start of what's to come from The Bastards Diesel,the atmosphere created throughout paints a picture of Bleak,Nasty and Epic Soundscapes desigend to assualt the senses and leave you coming back for more,in all A Liminal Release is the perfect introduction for what we can expect from The Bastards Diesel in the future.
Unbeknownst to the masses there's a plethora of quality Hardcore bands circulating up in the North of Ireland and they're producing some top notch material,just recently a new band of this ilk arose like a pheonix from the ashes in the shape of the Old School NYHC inspired trio PxBx with their excellent debut EP Commissary Or Die.
Opening track PxBx(Prison Bitch) is an abrasive and sludgy offering with a very dark and foreboding atmosphere, we're treated to some relentless and raw in your face attitude with the short sharp shock of the title track Commissary Or Die time to explore the topic of mental health and the demons involved with it that we deal with on a daily basis with the extremely aggressive Cycle Of Destruction things get that bit more vitriolic with the stigma and tragicness of substance abuse with gut punching aggresiveness of Meth=Deth, closing track Life(Death Penalty On Standby) slows the pace down a bit and has an element of groove combined with the filthy rawness that's very prevelent throughout this EP,
despite the shortness of this release it achieves what it set out to do and that's have all the nuances and elements synonymous with Old School NY Hardcore with subtle homages to Black Flag,Leeway and Agnostic Front combined with a really dark and foreboding atmosphere that's all their own,for a debut this is a really ambitious attempt to deliver something that's not only an ode to Old School NY Hardcore but also touches on relevant and modern stigmas associated with life's struggle, keep a close watch on this band i can see plenty of memorable releases in their future.
Once in a while something comes out of nowhere and hits you like a tonne of brick or a curveball so to speak and your left utterly gobsmacked and speechless i could add a few more descriptive analogies to describe the absolutely mind blowing album The Dirge from Blackened Death Metal Project Rotlaust, Former Dead Aeon Vocalist Jack Penders is the brainchild behind this monumental project and has enlisted the help of a few old friends to help create possibly one of the best releases within the Irish Metal scene this year.
Carrion opens up with the sound of thundering drums rumbling in the background before we're hit with a barage of crushing riffs and relentless drumming add to that a groove that continually evolves the track into nefarious tinged vocals which switch between Crushing Growls and tortured shreeks,suddenly there's the brief sound of a sitar which blends in seamlessly with the rest of the music before a soaring lead pushes the atmosphere to another level, Ceaseless continues the trend of combining groove with crushing relentlessness with an added darkness and atmosphere, the vocals begin to develop a much more darker and sinister tone,as the song title suggest the boundaries pushed into a territory that's never ending, The tempo is slowed down slightly with the groove laden heaviness of All But Calcerous while the dual vocals add a more caustic/aggressive atmosphere to proceedings,another addition is the riffs are a lot more melodic on this track, near the end of the track there's a sample of some man speaking about some nightmarish scenario about life and evolution this seamlessly flows into the earth shaking crushingly heavy The Deafening Dawn Chorus which seems to be touching on the topic of depression and the mental restraints that go with it, the further you delve into this album the darker and more sinister it becomes which is further compunded with another eerie sample from the same person about beliefs and how much they enjoy the darkness within life.
Stain Of The Familiar delves further into mental anguish and societal collapse, the relentlessness begins to reach even higher levels, the musicianship is absolutely mind blowing and soars like a pheonix risen from the ashes, Nascent really pushes a relentless atmosphere and darkness to the fore further compounding the exremely sinister aura persisting throughout this offering,again we hear another sample/spoken dialogue from the same person this time talking about rage and a world full of bleakness and hopelessness, The Dirge combines every element and facet within this opus with a relentless efficiency that most Death Metal Bands would only dream of,about half way through the song we're treated to a dream like sequence which adds a slightly uplifting element to the overall aura before delving back into the malevolent and aggressive scenarios, Nex Internum is a fitting way to close this absolutely magnificient opus combining elements of Black Metal with the trademark crushing groove laden Death Metal ,all executed with ruthless precision and efficiency.
The Dirge was an absolute curve ball of a release that no one was expecting and to everyones delight it delivered an album with all the hallmarks of a modern masterpiece,this has everything you'd want from an Extreme Metal band,darkness,crushing grooves,the technical proficiency of all the luminaries that create this type of Blackened Death Metal,a relentlessness that evolves to a mind blowing crescendo the further you delve into this opus, furthermore the work, focus and effort put into this deserve to commended with all the aplomb of modern masterpice of artistic genius.
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